This work extends my editorial practice into a new space—where technology becomes a collaborator, not a substitute, and where authorship remains central.
Each project begins with a conceptual sketch—used to define direction before extending into AI-generated image systems and final editorial execution. The focus is not on generating images, but on constructing meaning through evolving tools.
best places to eat—direction
The imagery explores authorship through restraint, staging, and editorial construction. Built using photographic references of food critic Chris Nuttall…
Danielle Smith—direction 01 (photographic)
This cover constructs authority through image rather than declaration. Danielle Smith is positioned within a restrained architectural setting, where space…
Sexism—Direction 01 (Photographic)
A photographic cover direction for Sexism on the Festival Circuit (Maisonneuve, 2016), constructed around the idea of controlled visibility.
Married to ptsd (cover)
Originally developed as a cover for Maisonneuve (2015), this piece began as a sketch exploring contrast—violence and fragility contained within a single for.
first, do no harm/opioid crisis cover direction
The image was constructed through directed AI-driven image development rooted in editorial thinking, symbolism, composition, and controlled visual tension.
Danielle Smith—direction 02 (illustrative)
This interpretation shifts the narrative from scrutiny to projection. Through illustration, the image adopts a propaganda-driven visual language…
the last stand (cover story)
This image explores AI-driven editorial portraiture beyond realism—focused on constructing psychological presence.
Sexism—Direction 02 (illustrative)
An alternative cover direction for Sexism on the Festival Circuit (Maisonneuve, 2016), developed from an earlier sketch exploring how pressure and control shape…
